On The Trail With Inspector Zende!

"Inspector Zende" streaming on Netflix has been generally labelled as a comedy/thriller. The 112-minute long film features Manoj Bajpayee--a very intense actor who has played a cop many times during his remarkable career--in the titular role of inspector Madhukar Bapurao Zende of the Mumbai Police who had the rare distinction of catching the infamous serial killer, fraudster and thief Charles Sobhraj not once, but twice. Here Bajpayee appears in a lighthearted comic avatar. Jim Sarbh essays the role of Charles Sobhraj, who for some reason has been named Carl Bhojraj in the film.

The film opens with the news of Bhojraj's escape from Tihar Jail in 1986 after he treated the jail staff to kheer laced with sedative as a part of his birthday celebration. Zende had arrested him once earlier in 1971, so he gets assigned with the job of tracking Bhojraj.

As the hunt starts, visuals from Mumbai and Goa of the eighties do look delightful and refreshing. Zende, his teammates and their boss DGP Purandare (Sachin Khedekar), Zende's wife (Girija Oak), children and his mother, all of them look innocent straightforward people. It is endearing to see the policemen working without any modern security or surveillance equipment, and on a meagre budget. But the same cannot be said about Jim Sarbh's Bhojraj. He does not appear menacing enough to be an international serial killer. His long hair, moustache, and laboured accent reduce him to being a caricature, far from being the charmer that he was in real life. 

Chinmay Mandlekar, a well-known writer, director and actor mostly active in the Marathi entertainment industry has written and directed "Inspector Zende". Why he chose to make a film that focuses on the chase of a serial killer as a comedy is something beyond comprehension. The subject and its treatment do not match each other. 

While the film is mostly clean and suitable for family audiences, it is a pity to see an actor of Bajpayee's calibre being wasted in an average story and script. The jokes are weak, the direction is simplistic and the pace of the film is slow. This does not mean that Bajpayee is not suitable for comedy. It is just that a tame comedy is not enough to tap into his potential. 

To name a few instances from the film, police teams from Delhi, Goa and Mumbai clashing over claiming the capture of Bhojraj is mindless and childish. The fight sequence between Zende and Bhojraj in the middle of couples dancing in a hotel is funny, but it dilutes the importance of the moment and reduces it to a farce. Bhalchandra Kadam, a prominent comedian from Marathi industry playing one of Zende's teammates fails to make an impact. After watching the film, one is left with the impression that sometimes even when you have all the right ingredients, a tasty dish eludes you.

Manohar Parrikar: A Breath Of Fresh Air!

I did not know Manohar Parrikar personally, nor do I know anything more about him than what is out in the media. But since his passing two days ago, I feel a sense of personal loss. I am sure many of you do too.

He was like a breath of fresh air in the murky world of politics. A quintessential aam aadmi, he was a true son of his home state, leading a simple life that resonated with the spirit of Goa. He was everything that we do not usually associate with a politician: an IIT Mumbai graduate, unassuming, open, accessible, shunning any kind of special treatment in public places, drinking tea at roadside stalls, playing football, riding a two-wheeler, wearing sandals and sporting a casual half-sleeved shirt that became his trademark. All this and more of his personality endeared him to people who are used to seeing pictures of politicians wielding brooms and going through the facade of sweeping clean streets only for photo opportunities. He did not do things for building his image. What we saw him do was actually how he lived.

A popular chief minister, he had an easy rapport with people. Again in tune with the carefree and laid-back lifestyle of Goa! When he assumed the responsibility of defence minister and moved to Delhi, the cold climate (literally and figuratively) of Delhi did not suit him. He longed for the warmth of Goa. He felt restrained by the restrictions Delhi put on him in terms of his movement and speech. He occupied only one room in his spacious government accommodation so that he could pack up and move back to Goa quickly when it was time.

When the deadly disease knocked at his door, he faced it bravely. His appearance changed beyond imagination in a short span of time. The sprightly gentleman was reduced to being a frail person with hollow cheeks and sunken eyes. But that did not stop him from going around on his official engagements, complete with a tube in his nose and a cap on his head. It is shocking and painful to look at his pictures in that state. The more you try to find his former self in these images, the more it eludes you.

Even though those pictures were a reality, it will be unfair to remember him in that way. He was a rare bird in the political firmament, and it will be apt to think of him as someone who caught people's imagination by soaring high in turbulent skies.